It’s once again the time of year when I talk about the new music I’ve discovered or new albums that captured my attention (and my money). Yes, I am still that guy that buys CDs, and I don’t apologize for it. I probably listen to music on my computer or phone 95 percent of the time; CDs only get played in the car, and even then I might use my phone to listen to podcasts or something like that when I’m driving.
Let’s cut right to it then. I bought 20 CDs in 2018, probably a record low of some sort. Thirteen of them would be considered metal of some sort. There was also four EPs (short albums of 3-7 songs), including two from friends’ bands. One of the EPs was surf music, one album was pop-tinged classic-style rock, there were two jazz guitar albums in there and one bluegrass/folk/Americana album. Two CDs were from all-female bands, and one from a female-fronted band.
BEST NEW ALBUMS OF 2018
1. GHOST – PREQUELLE. It’s not even fair this year. Ghost’s new album is fantastic, everything you expect from the shock-metal band plus a bitchin’ saxophone solo in a killer instrumental track. Releasing “Rats” as a single ahead of the album’s release was a brilliant marketing move. I rounded out the year in a fashion by going to see Ghost perform at a large theater in downtown Richmond. I enjoyed the show greatly, but at some level it was about the spectacle, because there wasn’t a lot in the live show that I haven’t heard already by listening to the other Ghost album I got in 2018, Ceremony & Devotion, a two-CD live album. That album was a little disappointing because it was mostly like listening to the album versions of the songs with a little banter between them. Still, Prequelle – best album of 2018. There’s no standout tracks, it’s a fantastic album front to back. (It’s OK if you skip the opening instrumental intro though – I do!)
2. MUSE – SIMULATION THEORY. This is probably the least metal album of Muse’s catalog. It’s almost like they set out to write a soundtrack album for a John Carpenter movie. Tons of electronic music, but Muse totally makes it work. What guitar is on the album is on point, and the bass and drums are thumpy and strong throughout. Muse’s music tends to be super dramatic, and Simulation Theory is no exception. An excellent listen.
3. UNCLE ACID AND THE DEADBEATS – WASTELAND. Their last album (The Night Creeper) disappointed me a bit, mostly because it wasn’t as awesome as Mind Control. Wasteland is about 95 percent as good as Mind Control. From my perspective, Uncle Acid & the Deadbeats are back with their most Sabbath-y sounding album yet, plus great production and good sounds all around. Call it post Sabbath, and yes, it’s that good.
4. STRYPER – GOD DAMN EVIL. This is Stryper doing what they do and doing it well. Twin guitars, great solos, soaring vocals, and everything you expect from middle-aged Christian metal maniacs. They’re kind of the anti-Ghost in every way if you know what I mean.
5. NOBUKI TAKAMEN – THE NOBUKI TAKAMEN TRIO. If you dig jazz guitar in the trio format (guitar, bass, drums), then you must get this album immediately.
BLACK LABEL SOCIETY – GRIMMEST HITS. You gotta like BLS to like this album, but if you like BLS, you’ll love this album. It brings exactly what you expect from Zakk Wylde at this point, so if that’s what you dig, there’s no way you’ll be disappointed. Oh – by the way – it’s not a greatest hits compilation. It’s all new music!
SLEEP – THE SCIENCES. This album made a number of “best of 2018” lists, so I figured I better get it. It’s OK. I’m no overvwhelmed. It’s good, Sabbath-y sludge metal and they have a song called “Giza Butler” that mentions the gom jabbar, so I’m in. Still, I don’t know why it topped one of the best of 2018 lists – it’s good, but it’s not amazing.
I’M WITH HER – SEE YOU AROUND. I got this album because Sarah Jarosz plays on it and I think her music is amazing. I never heard of Sara Watkins or Aoife O’Donovan, but apparently they make I’m With Her some kind of bluegrass/folk/Americana supergroup. If you like any of those styles of music, you’ll dig this album.
7TH GRADE GIRL FIGHT – JUMP BACK/SUMMER IS OVER. Fun, engaging pop rock from Debra Guy, who I used to play with in Honeychuck. These two EPs came out less than three months apart, both in 2018, and you should get them. Check them out at 7thgradegirlfight.bandcamp.com.
MINOR 56 – MINOR 56. Dude. Atmospheric and psychedelic and weird and worth listening to on those days when you need a break from all the craziness going on around you. Check them out at minor56.com.
OK now, that’s it for the albums that came out during 2018 – but you know I got some albums that came out in previous years. Let’s get into those.
BEST ALBUMS I DISCOVERED IN 2018
1. BLACK SABBATH – HEAVEN AND HELL/MOB RULES (1980/81). I have no idea why I didn’t listen to these albums until this year, but shame on me. “The Mob Rules” is hands down my favorite Black Sabbath song of all time, and all things considered it’s maybe the best song from this pair of Dio-led albums, but “Heaven and Hell” and “Neon Knights” sure give it a run for its money. I know there’s a lot of controversy around calling these Black Sabbath albums, and that’s probably why the boys called their touring band Heaven and Hell during the 1990s and beyond, but with the music behind Dio being classic Black Sabbath, I have no problem calling these Sabbath albums. They’re brilliant.
2. GOJIRA – L’ENFANT SAUVAGE (2012). L’ES doesn’t replace From Mars to Sirius as my favorite Gojira album, but DAMN it’s good. For a band I didn’t listen to until 2017, Gojira has quickly become one of my all-time favorite metal bands – even without guitar solos.
3. LIVING COLOUR – SHADE (2017). After reading something about Vernon Reid, I ended up on the Wikipedia page for Living Colour and discovered they put an album out last year! AND IT IS GOOOOOOOOD! It reminds me a lot of their 1993 album Stain, and I like that album a lot. Shade is heavy and melodic and angry and passionate and beautiful.
4. TEAMSTER – S/T (2015) + “Litany of Strength” (2018 single). Teamster’s drummer Sean Saley helped me and Steve Bowes out when we were working on demoing out the songs that would someday become the epic rock opera called FANTOMÉ. He played with Pentagram, then The Skull, but Teamster remained his hometown (DC) hardcore project. Their 2015 EP is well worth your hard-earned dollars. It’s a fantastic blend of punk and metal, with tight, aggressive playing and crisply written songs. “Litany of Strength” is a song they put out late this year, and it’s better than the stuff on the S/T EP. Check them out at teamster.bandcamp.com.
5. AJ GHENT – THE NEO BLUES PROJECT (2017). AJ played at the MOA rally in Iowa back in July and wow, what a great band. His EP is rock, blues, funk, soul and everything in between plus some great slide guitar playing.
L.E.O. – ALPACAS ORGLING (2006). If you love ELO, you’ll likely dig this album. I got it because it features Andy Sturmer, former drummer/lead singer for Jellyfish, one of my favorite bands. I’ll tell you this, though – you gotta love ELO to dig this album.
TONY MACALPINE – MAXIMUM SECURITY (1994). An instrumental rock/metal album from way back. I was talking about it with a friend, and Tony had been in Steve Vai’s band for a while playing keyboard and guitar, so I wanted to check out this album I used to have on vinyl way back in the day. It’s not as good as I remember it, but it’s fun, classical-tinged instrumental stuff.
REINHARDT & STETLER – LIVE IN DER STADKIRCHE (2016). Dual acoustic guitar jazz. If that floats your boat (it does mine) then you definitely need this album.
RUSSIAN CIRCLES – EMPROS (2011). Instrumental metal – not quite progressive, but close. Really good, lots of fun, lots of texture and layers to it. Well worth checking out one of their albums to see if you dig their style of music. I think they’re from Texas, though, not Russia.
SMALL TOWN TITANS – THE HYBRID SESSIONS (2017) (EP). I got this because of their fantastic rendition of “You’re a Mean One, Mr. Grinch.” It’s the best version of that song I have ever heard. No contest. The rest of the EP is OK. Not great, not terrible. It’s well recorded and the singer has a great voice, but beyond that it’s fairly standard hard rock.
THE SURFRAJETTES – THE SURFRAJETTES (2017) + “Party Line/Toxic” (2018 single). All-female surf band. Good surf music, catchy and poppy and fun. Five songs of joy right here. surfrajettes.bandcamp.com.
That’s it for new music for 2018.
Not a terribly exciting year for me music-wise, and even less so when it came to movies. I’m not even doing a post on movies for 2018, it was that weak. See you next year with the best music of 2019!
WHAT I LISTENED TO IN 2018
This one is a little more cut and dried. Here’s the list of top listened-to albums for 2018.
- Gojira – From Mars to Sirius
- Ghost – Prequelle
- Ghost – Popestar (EP)
- Black Label Society – Stronger Than Death
- Black Sabbath – Heaven and Hell
- John Williams – The Soloist
- Black Sabbath – Mob Rules
- Cutting Crew – Broadcast
- Joe Satriani – Surfing With the Alien
- Slayer – God Hates Us All
- AC/DC – For Those About to Rock
- Baroness – Yellow & Green
- Sevendust – Black
- Dead Can Dance – The Serpent’s Egg
- Alice in Chains – Jar of Flies
- Gojira – The Way of All Flesh
- Gojira – Magma
- Kaleo – A/B
- Mastodon – Emperor of Sand
- Queen – Jazz
Doesn’t look at all like my lists from previous years. The most obvious absence is Pink Floyd’s Animals, which is usually in my top 10 and this year doesn’t hit the list until #26.